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El Salvador
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Mother Nature Provides Moms with Plenty of Green

FrontLines - March 2010

By Angela Rucker


COMASAGUA, El Salvador—Women artisans at Arte Comasagua get the materials for their handmade note cards, collages, and larger works from the fertile fields that surround coffee farms and sugar cane plantations around this small mountain town.

Photo by Angela Rucker, USAID
Architect and Arte Comasagua owner Ana Rosa Graf started small when she opened the business selling handcrafted works of art made from natural materials, but has since expanded with technical assistance from USAID. She exports the cards, made exclusively by local women artisans, to shops in the United States.

Wild flowers, almond leaves, and wild grasses are all used in works that are popular among shoppers looking for unique, fair trade products. And they are profitable to the all-woman staff.

Arte Comasagua was born out of tragedy. A 7.7 magnitude earthquake struck El Salvador in January 2001, causing more than 16,000 landslides. Comasagua and its residents were decimated.

Architect Ana Rosa Graf, from the capital city San Salvador, wanted to help Comasagua recover.

In 2002, she recruited women to work with the natural elements to craft paper products and sell them in El Salvador shops. She started with seven women, $6,000, and a vision to make a business making ecofriendly products that would allow the artisans to earn a decent income.

USAID’s Artisan Development Program, part of the El Salvador office’s business development efforts, helped Graf reach U.S. retailers like Whole Foods and furniture chain Pottery Barn.

Graf enrolled in business development programs and then took her skills and art on the road, attending art shows and festivals to get her artisans’ work before the right audiences. The artisans improved their patterns and branched out from the original designs that were heavy on religious themes. They also added greeting cards to their line of products.

“This was born as a group of women,” Graf said. “We never knew that we would be so successful with this.”

Photo by Angela Rucker, USAID
Maria Magdalena, 31, has worked for Arte Comasagua for seven years. She usually works from home, which allows her to take care of her two children, ages 14 and 5.

Arte Comasagua sells its products through its own Web site— www.arte-comasagua.com—as well as through Aid to Artisans and Hope for Women. Half of the income from the cards and artwork goes to the artisans and half goes to Graf.

The women almost always work from their homes and say they have more than doubled their income when compared to previous jobs as housekeepers and coffee harvesters.

Maria Magdalena, who is 31, has been an artisan for seven years. She said working from home allows her to better care for her two children, ages 14 and 5. After collecting the flowers and materials and drying them—either using a solar dryer or by placing the materials inside the pages of a thick telephone book—it takes each woman about 45 minutes to hand-make the smallest works, such as the greeting cards. It can take much longer for the larger pictures.

Graf says the development and business planning has given Arte Comasagua the stability to plot its future. She wants to expand to other communities to provide an alternative for women who have few economic options.

Graf also wants to build a gallery to exhibit some of the artisans’ work and an eatery to make the exhibit space more of a tourist draw. And she’d also like to build a greenhouse— to make collecting the natural materials a little less taxing.

FrontLines writer Angela Rucker wrote this series of articles following a trip to El Salvador in January. All photos by Angela Rucker.

 


FrontLines is published by the Bureau for Legislative and Public Affairs
U.S. Agency for International Development

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